Borat, the Blogosphere and the Law: Panda Kroll writes on Humor in the Court
Ethics of VLOs and advertising in New York
5 days ago
For judge whisperers and casual readers, legal issues that entertain as well as instruct.
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Article on the Borat Litigation(Panda Kroll publication) |
ABSTRACT: In the film “Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan,” unwitting individuals are duped into portraying themselves in an unflattering light. The ad-lib film, which was expected to flop, went on to earn $260M at the box office and a 2007 Oscar nomination for best-adapted screenplay. Controversial and purposely offensive, the film spawned ten lawsuits against the producers, based on claims of defamation, invasion of privacy, fraud and rescission. Nevertheless, U.S. state and federal judges agreed that the film, by blending fact and fiction, serves a public interest by providing an “ironic commentary of ‘modern’ American culture.” By analyzing the primary sources in the litigation, students learn why this bizarre “mockumentary” was found deserving of U.S. First Amendment protection, and can apply critical thinking skills to the problem of balancing competing individual and group rights in a diverse society and global community.
| Keywords: | Critical Thinking, Media Literacy, Business Law, Borat, Sacha Baron Cohen, Mockumentary, Kazakhstan, Carmen Meets Borat, First Amendment, Otherness |
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"The culture clash of [Cohen's] gay Austrian fashion reporter might be even greater than that of his Kazakh journalist. Just as entertaining will be the sideshow of Cohen's in-character interviews and the possible ensuing lawsuits." - Jack Coyle, Copyright © 2009 AP. All rights reserved.
In 2006, Sacha Baron Cohen and Twentieth Century Fox brought Cohen's disarming foreign journalist to the big screen. Despite initial predictions the film would flop, it went on to earn $260M and garner top awards and nominations.
Publicly released theatrical poster for Religulous (2007).
Borat Participants have appealed the New York Federal Court's GOTCHA! ruling. Links at left provide the release signed by Borat plaintiffs/participants and their respective appeals of decisions tossing them out of court based on that release. The release included a merger clause acknowledging non-reliance upon "any statements made by anyone about the nature of the film or any other Participants involved in the Film." Based on such language, the court ruled that the fraud claim of the Dinner Party plaintiffs (Streit, et al.) and the Driver's Ed plaintiff (Psenicska) was barred as a matter of law. The trial court also ruled that the release was unambiguous in describing a "documentary-style" film intended to reach "a young adult audience" through "entertaining content and formats."